Lancaster Playwriting Prize

The Lancaster Playwriting Prize is a new initiative arising out of the cultural partnership between Lancaster University and The Dukes Theatre, Lancaster; it is supported by Lucy Briers, Tamasha Theatre Company and Arts Council England. 

In this inaugural year, the Prize is focused on BAMER (Black, Asian, Minority Ethnic and Refugee) playwrights. The aim is not just to discover new voices, but to empower playwrights from culturally diverse backgrounds in general by building skills, confidence and networks.

All longlisted scripts will be read in full. Up to five shortlisted finalists will have their script workshopped with professional actors and directors, and see extracts performed at a public showcase event held at The Dukes Lancaster.

The winner will receive £1500 and will be invited to become part of the Tamasha Playwrights group for 2018/19, receiving tailored training and mentoring as they develop their careers. The winner will also receive travel support to attend weekly Tamasha Playwrights workshops in London from October 2018 to July 2019. Two of the other shortlisted writers will receive writer on attachment bursaries at The Dukes of £500 each (with further support to cover travel costs); these postings will entail mentorship opportunities and the chance to observe the development of two shows at the theatre. 

Entries must be sent as word documents or PDF files to lancasterplaywriting@lancaster.ac.uk. All scripts should include your name, address and contact details.

Deadline: Sun 05 August 2018, 12pm

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Entry Rules  

  • Scripts must be emailed by 12pm on Sunday 5th August 2018
  • The competition is open to any BAMER (Black, Asian, Minority Ethnic and Refugee) writers who are originally from, resident or work in the North West of England. For the purposes of this prize, the Northwest consists of Cheshire, Cumbria, Greater Manchester, Lancashire and Merseyside
  • Writers must be aged over 16
  • The play must be an original, unpublished and unproduced piece of work. It cannot have had a professional production anywhere in the world. For the purposes of this prize, development performances (such as rehearsed readings and workshops) do not constitute full productions; amateur productions also do not count as full productions under these criteria
  • Adaptations of existing works of musical theatre, radio, television or other media are not eligible; translations of said works are also excluded
  • Musical theatre scripts are not eligible
  • Scripts must be a minimum of 40 minutes long, and all pages must be numbered